Goddess Voltairine Caption Gallery
The Goddess Voltairine is a master of manipulating time, space, and silence. In her silence, she gives space for submissive men to evolve and create
DASA (noun. Sanskrit) A.) Slave and servant of the Goddess B.) one who has surrendered to the Goddess, who is completely subservient to her dominating influence. C.) a person who is the property of a Goddess and desires only to worship and obey Her. The dasa’s entire life is about devotion to his Living Goddess. He is the ultimate Bhakta (devotee of the deity). He will play any other role necessary so long as it pleases his Goddess and makes Her life easier.
The Goddess Voltairine is a master of manipulating time, space, and silence. In her silence, she gives space for submissive men to evolve and create
by SnoFlak OBEDIENCE: Is it enough to just obey?Or is the act of providing anticipatory service a deeper level of submission?To obey is not something
She has within her a truly sadistic female Lordess. A Dakini. She likes to remind him that everything is Hers and She could do anything
from Mistress Scarlet UK I have realized that every single subby in an FLR relationship that has ever interacted with me has fallen into one
*(that may take some getting used to) NOTE: The term ‘Your woman’ is used throughout this. In no way is it intended to denote possession.
A good boy is… A good boy is grateful for everything his female master does for him. He sees every opportunity to please her as
by Mistress Scarlet It dawned on me recently, as I was enjoying a week that included so many lovely DS moments, just how much amusement,
History is written by the winners. In generations to come even children’s story-telling will be about the powerful women who took over the world and
Over the past two months, I have had the absolute privilege to work for a secretive group of women collectively known as The Company. A
What better way to let other women see the possibilities of a future matriarchy for themselves. Normalize male objectification and obedience. “Hey! hey! Look at